A screenshot of the mute and fader automation software I developed for James Murphy’s Oram console (with a master section by Purple Audio) at DFA’s Plantain Recording House. This stand-alone Automation sequencer gets it’s sample-accurate sync information from Logic, Pro Tools, or any supported audio sequencer via ReWire. The sample count provided by ReWire is downsampled (according to the sample rate of the session) to 30 frames per second and a serial count of these integers provides the timeline on which events are recorded. This sequencer features both a static mode for simple snapshot recall and a dynamic mix mode with read, write, touch, and latch modes for fully automated analog mixing. Recent additions include graphical ‘pencil’ editing and a subgroup/master fader automation trimming.